Unsent Letters (2023)
dblspce, Singapore

This brief, quiet encounter presented a reconfigured installation of selected works and objects produced and gathered over a fifteen-year period. Fragments and relics carry whispers of departure and loss, tracing gestures of longing and tenderness. The installation was presented as part of Walk Walk, Don’t Run, organised by the independent art space Grey Projects.

Veiled Intimacies (2021)
dblspce, Singapore

This solo showcase presents early textile explorations through carefully crafted silhouettes and reimagined garments carrying personal histories. The installation invites reflection on loss and intimate relationships through material form and proximity.

怀移 (2018)
Zarch Gallery, Singapore

Staged within an architectural studio, this site-specific performance-installation unfolds through the interplay of dualities — between absence and the presence. Each day, a letter was dispatched to the site, where the gallery sitter decided whether to reveal its contents. Over twelve days, an imagined space emerged, shaped through acts of withholding and the presence of the void.

Unsent Letters (2017)
OUTSIDER (Fashion Art Festival), Singapore

This collection draws from unsent letters written over an eight-year period. Each piece holds a state of longing, carrying memories and fragments of story shaped by letters released into absence.

Eulogy (2015)
Onlewo/ Flaneur Gallery, Singapore

This collaborative installation brings together distinct perspectives from each artist, tracing the intersection where personal domestic narratives meet. The shared space recontextualises people and objects lost across different journeys. The exhibition opened with a poem by Singapore poet Cyril Wong, situating the work within a shared moment of listening.

The Line (2014)
NAFA Gallery , Singapore

This site-specific installation is oriented toward the southeast, in the direction of Loughborough, United Kingdom. Its reflective surface, marked with sandblasted text, draws viewers into a gentle act of movement toward an imagined destination.

DRAINED (We Can Never Be A-part) (2008)
Sculpture Square and various sites, Singapore

Extended and developed over a year, DRAINED is iterated in three forms – firstly a performance, a video, followed by an installation.

This five-minute performance video unfolds through the gesture of “washing,” creating a contemplative distance between the thinker and the book as a carrier of ideas. The physical remnants invite reflection on the relationship between form and content, holding paradox within a quiet, empathetic register.

State of Mine (2008)
tickleart, Singapore

This public installation takes the form of a domestic apartment, with each “room” conceived as a discrete encounter that surfaces the contradictions of everyday life within a local context. Viewers peer into intimate scenes and respond to questions via text messages, folding their voices into the work’s unfolding social choreography.